Twenty years is a strange amount of time for a sequel (unless you’re Top Gun: Maverick, in which case you rewrite the rules). It’s long enough for nostalgia
There’s a moment about five seconds into Michael when the artist’s familiar “hee-hee” blares and the Michael Jackson Estate logo flashes on screen. It’s a small thing, but
In Monument, directed by Bryan Singer, the Israelis are still in Lebanon after the invasion that began in 1982 with Operation Peace for Galilee. The South Lebanon Army
If you’ve seen Gravity, Interstellar, 2001: A Space Odyssey, and The Martian, you’ve seen Project Hail Mary. It’s that blatant in how it lifts, calls back, and occasionally
There’s a particular cruelty in doing everything right and still end up losing. You work hard, you climb the ladder, you buy the house, you provide for your
“How could human beings do that? The answer was very clear. They believed that what they were doing was right.” The uplifting yet heartbreaking documentary For the Living
In the wild ride that is The Disinvited, a man grapples with the emotional turmoil triggered by rejection. It is the beginning of Carl’s descent into something dark,
After a couple of years of navigating through the weird yet endearing filmography of Nathan Hill, I’ve grown fond of the actor/producer/director. I love independent movies when they
Finding Nicole continues prolific indie filmmaker Harvey Wallen’s journey in trying to abandon the typecast and the comfort zone of his past films. Wallen is no stranger to
Paul Thomas Anderson has spent the better part of three decades burrowing into the American soul—charting its boom-and-bust appetites, its bruised dreams, its restless need to reinvent itself.
The Naked Gun is stupid. Stupid, stupid, stupid. It’s a film so dedicated to tripping over its own shoelaces that you start to admire the sheer athleticism of
There’s an easy pitch to Celine Song’s latest film Materialists: imagine a contemporary New York screwball romance, part Working Girl hustle, part When Harry Met Sally walk-and-talk. Lucy
Throughout every onscreen incarnation of the Man of Steel, there’s a rhythm we’ve come to expect. Superman discovers his powers. He hides in plain sight as Clark Kent.
The short feature Izidor, by director David Kabbe, plays like a sort of fairy tale in the modern age. There are ruthless villains, a child in absolute distress,